Peonía Silvestre
Peonía Silvestre
2024
Two ceramic murals for the lobbies of the Sirani residential building, Terrassa, Spain. 260x610x2cm and 570x280x2cm respectively.
They have a reputation for being difficult. It can take anywhere from one to three years for them to bloom for the first time, especially if they’ve been transplanted. But when they finally flower, they unleash the delight of those who planted them.
That was the case with «Wild Peony» («Peonía silvestre»), a ceramic diptych of two large, showy flowers that I was fortunate enough to create after winning, for the first time, a competition for applied art in architecture in 2022. Three springs later, today it adorns the lobbies of the newly inaugurated Sirani residential complex in Terrassa, Spain, developed by AEDAS Homes and designed by Battleiroig.
Wild Peony, Queen of the Mediterranean Forest
The peony is a plant endemic to the Iberian Peninsula, also found in the Parc Natural de Sant Llorenç del Munt i l’Obac, which borders the urban area where the building stands. The artwork creates a subtle link with the surrounding natural environment, transforming a photograph of the flower into a play of geometric and chromatic forms, ever-changing with the light and the viewer’s perspective.
The installation unfolds across the lobbies of the complex through two ceramic murals, each 16 m² in size, conceived as unique yet connected elements: one ascends vertically, while the other extends horizontally. Both emerge from a basic hexagonal ceramic piece, from which semi-spheres of different sizes sprout — green for the stems and red for the petals.
«Wild Peony» seeks to harmonize with the building’s contemporary language while nodding to Catalonia’s rich Modernist tradition — which found one of its greatest sources of inspiration in nature — so deeply embedded in the architecture of Terrassa and nearby Barcelona. In this context, it’s a pleasure to acknowledge the work of Manel Diestre and Joaquim Toribio, from Taller de Cerámica SOT, who dedicated themselves to the ceramic fabrication process. Specialists in the restoration and conservation of the ceramic elements of Catalonia’s architectural heritage, they’ve worked on such emblematic Modernist buildings as Lluís Domènech i Montaner’s Hospital de Sant Pau and Antoni Gaudí’s Casa Batlló. Their generosity and mastery have been essential in bringing «Wild Peony» to life.
Sirani reclaims the representative role of the lobby, weaving a sensory experience between public and private space. It offers residents an aesthetically stimulating welcome that enriches their daily experience while inviting passersby to take a peek inside — reminding us that even within an urban environment, it’s possible to pause before the unexpected beauty of a flower.
39 Trees and One Flower (39 árboles y una flor)
— That was the theme under which the ceramic mural art competition was launched in 2022, where, against all odds, I was named the winner. Promoted by the real estate developer as part of their ConLasArtes by AEDAS Homes program, the challenge involved creating a mural for the façade of another residential project, inspired by the botanical art of Johanna Helena Herolt, an 18th-century German painter, who would give her name to the building. The project also planned for the planting of 39 trees in its surroundings, reinforcing the bond between art, nature, and city. The development ultimately didn’t move forward, and in 2024, the developer decided to relocate the mural to the Sirani building.
However, trying to transplant an outdoor plant with the botanical heritage of Johanna Herolt into the interior of a building dedicated to Elisabetta Sirani — a Bolognese Baroque painter and master of religious painting — presented certain challenges. The new architectural and conceptual framework required rethinking the design. Hence, the original Paeonia, daughter of Herolt’s Roode Beönie Roos, transformed into «Wild Peony», simply another flower of the Iberian Peninsula — anonymous, yet resilient.
PS: Life is full of coincidences too perfect to script. On one of my site visits, chance led me to a nearby pastry shop. As I peered into the display window, I was stunned: there were my semi-spheres. Same sizes, same colors… though in the form of glazed little tarts, far more tempting. I wasn’t sure whether to take it as an homage, pastry plagiarism, or simply give in and order half a dozen.
Promoter: AEDAS Homes
Design: Stefanie Herr
Fabrication: Taller de Ceràmica SOT, Manel Diestre and Joaquim Toribio
Installation: Copcisa
Architecture: Batlleiroig
Ceramic Mural Competition “39 árboles y una flor” (2022), curated by Asunción Rodríguez Montejano – urbanAlibi; organized and sponsored by AEDAS Homes, with the collaboration of Terrassa City Council and the Associació Ceramistes de Catalunya.